story: Diehard bachelor, Fardeen Khan is compelled to marry village woman, Ishita Sharma to fulfil the demands of his father’s billion greenback will. it is left to supermodel, Sushmita Sen to make the mismatched marriage absolutely paintings by transforming the gaon gi gori into an uptown diva. additionally, she have to discover time for her own romance with golden-hearted billionaire, Shah Rukh Khan….
film overview: The trouble with Dulha Mil Gaya lies in the truth that it has nothing new to provide. and that’s ironical at a time when nearly every film that falls off Bollywood’s conveyor belt is brimming over with newness: new ideas, new plots, new musical notes, new actors, new narrative patterns. Unforgivable.
The Jassi jaisi make-over isn’t the simplest vintage hat in this film. it’s the good ole gaon ki gori syndrome that fills you with a sense of deja vu too. while playboy Fardeen Khan summarily dismisses his newly-wed wife, Samarpreet (Ishita Sharma) and leaves her within the backwaters in Punjab, while he returns to his one-night time stands in Trinidad, you realize he is going to move slowly back on all fours to the principled and preachy Punjabi kudi earlier than curtain name. And the crawl-again does get clean when there may be the svelte Ms Shimmer (Sushmita Sen) there to transform the spectacled style disaster, Samarpreet into off-shoulder gown-ed Samara, dripping with savoir faire.
alternatively, what is Shah Rukh certainly doing right here? He plays Sushmita’s disregarded boy buddy who waits for a single I-leave out-you name from her on the airport. possible? Nah! no one can forget Shah Rukh. no longer even the ever-busy twiglet who prefers to spend her time along with her canine and her domestic helps.
Dulha Mil Gaya works in bits and pieces only and fills you with a sense of wasted opportunity, notwithstanding the overt shimmer. Shah Rukh and Sushmita fail to recreate the magic of major Hoon Naa, at the same time as the Fardeen-Ishita romance leaves you kinda bloodless.
A word about:
Performances: Sushmita wishes to unharness some spontaniety and shed her affected fashion. Fardeen is okay. Shah Rukh looks misplaced. Newcomer Ishita is thrilling.
tale: Vivek Vaswani’s tale is a blend of romance and comedy, in reality drawing bits and portions from staple Bollywood masala.
speak: Mudassar Aziz would not get the comedian spirit right, even though he does upload a sprint of EQ to the court cases.
Cinematography: Trinidad and Tobago appearance properly. Punjab has looked better. higher success subsequent time, Sunil Patel.
track: Lalit Pandit’s music is forgettable besides for Akela Dil.
Styling: Sushmita appears lovely. that’s it.
Mudassar became fortunate enough to solid Sushmita Sen and Shah Rukh Khan together. these two almost set the display screen on fireplace with their scorching chemistry in fundamental Hoon Na.
DMG also stars Fardeen Khan and veterans like Johnny Lever and Parikshit Sahni. With this kind of proficient cast the least one anticipated become a a laugh, watchable film. lamentably, DMG reminded me of a film which maintains taxiing down the runway but in no way truely takes to the air.
The film opens in Trinidad with a spoilt brat son, who hopes to inherit hundreds of thousands from his deceased father’s estate. but Tej Dhanraj, also called Donsai (Fardeen Khan), is in for a impolite shock. He has just a few days time to marry Samarpreet Kapoor (Ishitta Sharrma), a female from rural Punjab.
this is a topic which changed into hugely famous in romance novels and movies in the Nineteen Sixties and 1970s. The director ought to have saved us engrossed by way of taking the tale to a new level. but Mudassar Aziz sticks to the attempted-and-tested. Samarpreet stays the ‘sati savitri’ type, who will visit any lengths to woo her husband.
however this Herculean venture can not be controlled unmarried-handedly. So Samarpreet receives assist from Shimmer (Sushmita Sen) and Pawan Raj Gandhi (SRK). Shimmer is ashamed of Donsai’s behaviour. She hopes to reform him however fails to understand that she is similarly dedication phobic. Mudassar in text-e book fashion introduces his characters inside the first half-hour and then for the subsequent hours, the movie maintains plodding its manner towards a dreary, predictable give up.
all of the characters within the movie are flat and one-dimensional. Fardeen Khan, the playboy, has fared well in comic conditions with his earlier hits inclusive of Heyy Babyy and No access. but his overall performance here can not be as compared to those. He has received quite a few weight and looks bloated in maximum scenes. the load advantage hasn’t just affected his look; his gait too is greater appropriate to that of a middle-elderly guy in place of a dashing playboy.
Newcomer Ishitta Sharma seems convincing because the gentle-spoken rural Punjabi girl. unfortunately, she lacks the oomph element that is so vital for her character within the second 1/2 of the movie. regardless of this apparent flaw, she remains one of the maximum convincing characters.
Sushmita Sen appears to be incomes an increasing number of flak for herself nowadays. This is probably her worst performance until date, perhaps with the exception of Zindaggi Rocks. The verve and the zest, which has continually been such an intrinsic part of her persona, seem to have disappeared. The identical eyes, which oozed sensuality, now emanate a sense of fatigue and boredom.
looking Johnny Lever on display screen has constantly been a treat for his lovers. however he seems in a blink-and-leave out function here. It appears any such waste for an actor of his calibre. however glaringly, the director notion otherwise.
Shah Rukh Khan is a person who has always obliged his pals. producer Vivek Vaswani had helped SRK discover his feet when the latter become a struggler. however SRK is completely wasted in the movie even though he attempts tough to bring life to the screen with his presence.
SRK plays a millionaire whose handiest preference is to see Sushmita smile. there may be one sequence where he jumps off a cruise liner to rescue a toy dog. in a single word: absurd.
Even to the untrained eye, it is apparent that the film took many years to be completed. There are scenes in which Sushmita Sen and Fardeen appearance slim. And in the very next sequence, their physical look changes notably. An skilled cinematographer can without difficulty avoid these pitfalls; this isn’t the first movie which took over three years to be finished. but the lights and cinematography is without problems the tackiest one has visible in recent times.
The West Indies and Trinidad are scenic and breathtaking. those places have not been used too frequently in our movies. however no film has ever managed to preserve itself on the idea of its locations.
Watch the movie in case you cannot think about every other manner to spend your weekend. in any other case simply avoid.